Giovanni Paolo Pannini
1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.
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Giovanni Paolo Pannini Roman Ruins with Figures oil painting


Roman Ruins with Figures
mk170 circa 1730 Oil on canvas 49.5x63.5cm
Painting ID::  43282 		Giovanni Paolo Pannini
Roman Ruins with Figures
mk170 circa 1730 Oil on canvas 49.5x63.5cm
   
   
     
Giovanni Paolo Pannini Capriccio of Classical Ruins oil painting


Capriccio of Classical Ruins
1725-30 Oil on canvas, 123 x 132 cm
Painting ID::  43700 		Giovanni Paolo Pannini
Capriccio of Classical Ruins
1725-30 Oil on canvas, 123 x 132 cm
   
   
     
Giovanni Paolo Pannini Interior of the Santa Maria Maggiore in Rome oil painting


Interior of the Santa Maria Maggiore in Rome
c. 1730 Oil on canvas, 78 x 90 cm
Painting ID::  51208 		Giovanni Paolo Pannini
Interior of the Santa Maria Maggiore in Rome
c. 1730 Oil on canvas, 78 x 90 cm
   
   
     
Giovanni Paolo Pannini Detail of the Annunciation oil painting


Detail of the Annunciation
nn09 c.1445 Wood 40x46cm
Painting ID::  51744 		Giovanni Paolo Pannini
Detail of the Annunciation
nn09 c.1445 Wood 40x46cm
   
   
     
Giovanni Paolo Pannini St. Peter Basilica, from the entrance oil painting


St. Peter Basilica, from the entrance
St. Peter's Basilica, from the entrance
Painting ID::  60008 		Giovanni Paolo Pannini
St. Peter Basilica, from the entrance
St. Peter's Basilica, from the entrance
   
   
     
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     Giovanni Paolo Pannini
     1691-1765 Italian Giovanni Paolo Pannini Galleries Italian painter. After gaining fame for his fresco painting, he specialized in Roman topography and became the foremost artist in that field in the 18th century. His real and imaginary views of ancient Roman ruins embody precise observation and tender nostalgia and combine elements of late classical Baroque art with incipient Romanticism. His work was popular both with tourists and his peers: he was admitted to the Acad??mie Française in 1732 and became its professor of perspective.

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